Mark Jenkin: Bait
Design Exchange MagazineFilm review
Design Exchange Magazine
Film review
2018
Mark Jenkin’s latest film presents economic conflict in one of Britain’s most remote corners through narrative, aesthetics and the production process itself.
Cornwall seems trapped at a kind of perpetual crossroads. Much of its identity is understood through industrial history, with mining existing in the county for almost as long as memory itself. The same goes for fishing, but for some time now both have been competing with another business; namely tourism. (...)
Cornwall seems trapped at a kind of perpetual crossroads. Much of its identity is understood through industrial history, with mining existing in the county for almost as long as memory itself. The same goes for fishing, but for some time now both have been competing with another business; namely tourism. (...)
Studio Integrate: Where biology and history meet
Design Exchange Magazine
Design Exchange Magazine
Interview
2016
Looking at the Flux table, legs protrude out from different
points and at different angles, morphing into what seem like upturned tree
stumps. It appears to be, simply, an organic, expressive form. But with London
based practice, Studio Integrate and co-founder Mehran Gharleghi things are
never that straight forward.
“I have vertigo.” Juha van ‘t Zelfde tells me when I ask
about his first exhibition, Dread. “Trying to understand what
my vertigo was about I came across this book by Søren Kierkegaard called The
Concept of Dread, and suddenly it opened up this whole world.”
In The Concept of Dread Kierkegaard contends that imagining the possibilities of what might happen is heavier than accepting reality. If one comes to accept what happens and what can become fact, then the burden of dread becomes lighter. (...)
In The Concept of Dread Kierkegaard contends that imagining the possibilities of what might happen is heavier than accepting reality. If one comes to accept what happens and what can become fact, then the burden of dread becomes lighter. (...)